Monday, April 21, 2014

The International Mental Health Research Organization 2014 Mounukhion cause

The International Mental Health Research Organization won this round as Mounukhion 2014 cause for Pandora's Kharis, with 64 percent of the votes! The organization is committed to raising awareness and funding neuropsychiatric research to find preventions and cures for severe mental illnesses, focusing on schizophrenia, bipolar disorder, and major depressive disorder, within a generation. 100 percent of the money that is donated to them is dedicated to research.

 

With mental illness ranked as the number one cause of adult disability in America, affecting 1 in 5 adults, the mission of the International Mental Health Research Organization is to alleviate human suffering from mental illness by funding scientific research into causes, prevention and new treatments. The goal of research is to lead to cures, with a focus on schizophrenia, bipolar disorders and depression. To further this purpose, IMHRO:
  • Produces, supports, and builds awareness for fundraising events to raise money for mental health research
  • Directs funding to the most promising research by soliciting and selecting proposals in the area of prevention, treatment, and cure of mental disorders
  • Collaborates with affiliate organizations, people, and events worldwide to raise and direct funding—and minimize duplication of scientific effort
  • Works to build awareness of the scientific achievements and possibilities
The PayPal account is open to receiving your donations to this beautiful and worthy cause! The deadline for donations is May 1, and I thank you in advance already for them. All PayPal costs will be covered by Elaion so your full donation will be transferred to the International Mental Health Research Organization. Let's make this one count!

If you want to join the conversation, join Pandora's Kharis on Facebook.

Sunday, April 20, 2014

Labour Series: the Gigantomachy and Prometheus

The last we saw of Hēraklēs, he was taking a breather and establishing the Olympic Games after capturing the Cretan Bull. Before Hēraklēs returned to vanquishing monsters to clear his soul of miasma, he became involved with two other, major, events: the war with the giants and the liberation of Prometheus. To quote from a post I did on the Giant and Titans:

The rise to power of the Olympians was not an easy one, in fact, under Zeus' leadership the young Gods had many toils and troubles to overcome before They became the dominant force in the universe. Two of those hurdles were the Gigantomachy and the Titanomachy, two events that were first depicted as separate events but became more entwined as the years went on.

The Gigantes were a tribe of one hundred Giants born of Gaia. Some say their father was Tartaros, others that they were born from the blood of the castrated Ouranos. They aren't considered Gods, but fall under the label of 'monster', like the Gorgons and the Hekatonkheires. Hesiod, in his Theogony describes the birth of the Gigantes:

"Then the son from his ambush stretched forth his left hand and in his right took the great long sickle with jagged teeth, and swiftly lopped off his own father's members and cast them away to fall behind him. And not vainly did they fall from his hand; for all the bloody drops that gushed forth Earth received, and as the seasons moved round she bare the strong Erinyes and the great Giants with gleaming armour, holding long spears in their hands and the Nymphs whom they call Meliae all over the boundless earth." [177]

Hēraklēs was alive and mortal for the Gigantomachy, and of course, he fought on the side of the Olympians, earning him great honour with the Theoi for his skill and bravery. Diodorus Siculus writes in his 'Library of History':

"After this, when the Giants about Pallenê chose to begin the war against the immortals, Heracles fought on the side of the gods, and slaying many of the Sons of Earth he received the highest approbation. For Zeus gave the name of “Olympian” only to those gods who had fought by his side, in order that the courageous, by being adorned by so honourable a title, might be distinguished by this designation from the coward; and of those who were born of mortal women he considered only Dionysus and Heracles worthy of this name, not only because they had Zeus for their father, but also because they had avowed the same plan of life as he and conferred great benefits upon the life of men." [4.15.1]

Afterwards, Hēraklēs has one more task to fulfil before he can return to his quest for redemption: free Prometheus. Prometheus, long before was given the task of creating man and his brother Epimetheus was ordered go give good qualities to all creatures of earth. So did Prometheus and Epimetheus. Prometheus shaped man out of clay and Athena breathed life into him. Epimetheus spread swiftness, cunning, fur and wings to the other animals but ran out of gifts when he came to man. Prometheus remedied the situation by allowing men to walk upright and gave them fire.

It soon became apparent that Prometheus loved man more than the Olympians. When Zeus decreed that man must give sacrifice to the Deathless Ones, Prometheus stood ready to aid humanity. He butchered an animal and divided it in to piles; the bones and fat formed one of them, the good meat wrapped in the hide of the animal, the other. Zeus vowed that he would abide by the choice He made now, and picked the tasty looking pile of bones. Zeus was angered but could not take back his vow. What he could take back, was the gift of fire, and this he did.

Mankind suffered greatly without fire and Prometheus travelled either to the sun or Olympus to reclaim fire for his beloved mankind. This, of course, angered Zeus even further and so he devised a plan. First, he imprisoned Prometheus. He ordered Hermes to tie Prometheus to a mountain and had a giant Eagle come every day to eat his liver. As an immortal, Prometheus' liver grew back over night so his torment was endless--well, nearly endless because many, many, many years later, in one version of the myth Hēraklēs took pity on him. Diodorus Siculus again:

"And Zeus, when Prometheus had taken fire and given it to men, put him in chains and set an eagle at his side which devoured his liver. But when Heracles saw him suffering such punishment because of the benefit which he had conferred upon men, he killed the eagle with an arrow, and then persuading Zeus to cease from his anger he rescued him who had been the benefactor of all." [4.15.2]

Next up on the Labours of Hēraklēs series: the horses of Diomedes!

Saturday, April 19, 2014

Hellenic art by award-winning illustrator Glen Mullaly

I'm sorry, but I'm still not up to posting anything worth reading, so I'm going to leave you with this art I stumbled upon on-line because I actually had an emotion reaction to it. They are so beautiful, and the artist so very talented. Traditional? Perhaps not, but beautiful none the less. Artist: Glen Mullaly on Etsy, all works for sale.

Apollon

Demeter

Aphrodite

Athena

Hermes

Hera
 
Artemis
 
The original art is pencil on paper, colored and textured with a mix of digital and gouache techniques.


Friday, April 18, 2014

PBP: Interpretation of signs

Divination played a fairly large role in Hellenic every day life. Oracles given directly, like at Delphi, were rare and called chesmomancy. All other forms of divination practiced in ancient Hellas were performed by seers, not oracles. Seer staples were divination through the spotting of birds (ornithomancy and augury), dream interpretation (oneiromancy) and animal sacrifice (hieromancy, haruspicy, empyromancy and extispicy), but other forms of divination were definitely used, including cledonomancy (listening to words spoken by a crowd), oneiromancy (divination through the reading of birthmarks) and phyllorhodomancy, the reading of the sound rose petals make when slapping them together with your hands. The biggest difference between oracles and seers was that oracles gave long answers which usually needed some for of interpretation while seers usually answered yes-or-no questions.

Divination of any kind was rarely turned to, to predict the future. To desire knowledge of the future was considered hubris. Instead, oracles and seers were petitioned to help answer questions about the present or to advice on a decision which had to be made in the very near future. 'Shall I go to war?', ' Shall I put my sheep out on the high pasture?'. Most often, oracular questions were posed in a way which made it easy for the God(dess)--and the seer--to answer; they did not ask 'Shall I go to war?', they asked 'Don't you think I ought to go to war?'. Most likely, the answer of seers (and perhaps even oracles) depended on the offertory; if it was large enough, the answer was 'yes', if the offertory was dissatisfactory, the answer would be 'no'.
Seers, in general, were considered touched by the Gods, and their gift was passed down through the blood line, often traced back to famous seers from mythology. These mythological people were considered gifted with the gift of sight and interpretation, and it could be passed by blood all the way down to the then-present. Some seers managed to make a good living from their job, others not so much and were rushed out of cities and towns when the answers they gave were not the desired ones.

In modern times, divination has become a game everyone can play. There are some who still position themselves as seers or oracles, but in general, many of us perform at least one type of divination, and all of us keep our feelers out to maybe find out what the Gods want from us--be it sacrifice, taking or not taking a job, going or not going somewhere, etc. There is an art--a skill--in interpreting signs, and it comes with a lot of practice. I remember starting out many, many, years ago and thinking everything was a sign while doubting every sign I got. In general, I have discovered a few things about interpreting signs:
  • Almost always, that sign you think you have gotten is either some random occurrence without meaning or your inner sockpuppets talking to you
  • It doesn't matter if it's the inner sockpuppets or it's simply a bird flying overhead; if you feel you must or must not do something in your gut, then do or do not do it--the opinions of the Gods matter, but yours do as well
  • Saying you speak for a certain God had best come with a boatload of proof
  • Making fun of someone who says they speak for the Gods is never okay
  • It's okay to believe someone speaks for the Gods, and it's equally okay not to make use of their talents if you don't believe--or even if you do
  • Divination is a beautiful practice, but it's hard to find true meaning in--mostly because of said needed skill and the inner sockpuppets; use divination as a guide, not a law, if you make use of it at all
  • Don't be afraid to interpret (or misinterpret) signs; the Gods will steer you right eventually, and most likely you won't even notice
  • Go with your gut; always go with your gut--an always be respectful to the Gods and those who serve them
Divination is a hot topic in the Hellenic community, mostly because of the historical foundation the practice is built upon. I rarely--if ever--use divination, but I do listen to my gut all the time. If I feel someone requires sacrifice, I'll do it, if I feel I'm meant to do something or walk away from something, I do it. Are those the Gods talking to me? I don't know, but I tend to believe they have instilled in me the qualities and wisdom to figure out my own life, and I have faith in Their willingness to steer my actions whenever I do something incredibly stupid. Interpreting signs is hard, and you will get it wrong many times over; that's fine. Keep at it, and once day you'll find the delicate balance between hope and faith.

Thursday, April 17, 2014

Hymn to Eris

It has been a while since I have hit this level of 'it's not going to happen'. Circumstances caused me to get about three hours of sleep last night (and none of them were me having a good time), so I'm going for a run to get rid of some frustration and then I'm going back to bed. Sorry guy, tomorrow is the PBP, and I'll make sure to have something good for you then.

Somehow, I have the feeling I have pissed someone or Someone off enough to have a few crappy days. Before I go back to bed, I am making ample libations to Eris in the hopes that, if it isn't Her directly, She will feel inclined to speak to whomever it is on my behalf. Eris (Ἔρις), Goddess of discord and strife, doesn't have a surviving hymn to Her name, but I have one for her, regardless, puzzled together from existing sources:


Hymn to Eris
 
"To Eris, the fearful Battle-queen, beheld of none, but cloaked in clouds blood-raining: on she stalked swelling the mighty roar of battle. From small to huge that Fury's stature grew; her arms of adamant were blood-besprent, the deadly lance she brandished reached the sky. Earth quaked beneath her feet: dread blasts of fire flamed from her mouth: her voice pealed thunder-like kindling strong men. Swift closed the fronts of fight drawn by a dread Power to the mighty work.
 
Sister and companion of murderous Ares, she who is only a little thing at the first, but thereafter grows until she strides on the earth with her head striking heaven. She who then hurled down bitterness equally between both sides as she walks through the onslaught making men's pain heavier. You, who are the last of the Gods to close an argument; hear my prayer today and pass your judgement kindly upon me. Be a good friend to mortals, and a friend to me."
 
[Quintus Smyrnaeus, Fall of Troy 10.51; Homer, Iliad 4. 441 ff; Aeschylus, Seven Against Thebes 1057 ff; Hesiod, Works and Days 11 ff]


Wednesday, April 16, 2014

'Some say that the fairest thing upon the dark earth is a host of horsemen...'

Okay, blogging today is still not going to happen, so I'm going to leave you with one of my favourite poems by Sappho.

Sappho (Σαπφώ) was a Hellenic lyric poet, born on the island of Lesbos (Λέσβος) around 620 BC, although the exact date is unknown. She wrote beautiful and highly romantic poetry that comes and goes straight to the heart. One of my favorite hymns is by her: the Hymn to Aphrodite. Today, you are getting a poem on love, on fate, and on everything that matters in life, indexed usually as 'Some say that the fairest thing upon the dark earth is a host of horsemen...'. Enjoy and hopefully, I'll have a real post for you tomorrow.


A troop of horse, the serried ranks of marchers,
A noble fleet, some think these of all on earth
Most beautiful. For me naught else regarding
Is my beloved.

To understand this is for all most simple,
For thus gazing much on mortal perfection
And knowing already what life could give her,
Him chose fair Helen,

Him the betrayer of Ilium's honour.
The recked she not of adored child or parent,
But yielded to love, and forced by her passion,
Dared Fate in exile.

Thus quickly is bent the will of that woman
To whom things near and dear seem to be nothing.
So mightest thou fail, My Anactoria,
If she were with you.

She whose gentle footfall and radiant face
Hold the power to charm more than a vision
Of chariots and the mail-clad battalions
Of Lydia's army.

So must we learn in world made as this one
Man can never attain his greatest desire,
[But must pray for what good fortune Fate holdeth,
Never unmindful.]


Tuesday, April 15, 2014

Sorry, sick, have a video on the Hellenic Gods

Oh boy, I woke up feeling slightly miserable, but my girlfriend is a sobbing mess of sickness, so I'm not going to be able to get anything up today besides a video I haven't even watched yet. If it's offensive, sorry if it's offensive. If it's bad information, sorry it's bad information. I clicked through it and it seemed pretty legit. Time to take care of my girl. More tomorrow.


 
"Greek mythology is the body of myths and teachings that belong to the ancient Greeks, concerning their gods and heroes, the nature of the world, and the origins and significance of their own cult and ritual practices. It was a part of the religion in ancient Greece. Modern scholars refer to and study the myths in an attempt to throw light on the religious and political institutions of Ancient Greece and its civilization, and to gain understanding of the nature of myth-making itself.

The oldest known Greek literary sources, Homer's epic poems Iliad and Odyssey focus on events surrounding the aftermath of the Trojan War. Two poems by Homer's near contemporary Hesiod, the Theogony and the Works and Days, contain accounts of the genesis of the world, the succession of divine rulers, the succession of human ages, the origin of human woes, and the origin of sacrificial practices. Myths are also preserved in the Homeric Hymns, in fragments of epic poems of the Epic Cycle, in lyric poems, in the works of the tragedians of the fifth century BC, in writings of scholars and poets of the Hellenistic Age, and in texts from the time of the Roman Empire by writers such as Plutarch and Pausanias.

Archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artefacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles. In the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an extensive influence on the culture, arts, and literature of Western civilization and remains part of Western heritage and language. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes."